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19 October 1939 – 6 July 2015 was a Japanese jazz pianist and composer known for his unique playing style. He worked with many diverse musicians, including Sonny Rollins, Miles Davis, McCoy Tyner, Elvin Jones, Gary Peacock and Paul Motian, and collaborated with Gil Evans and Tōru Takemitsu.
He studied music at the Tokyo Art College High School. While a student, he began buying second-hand records, most likely left behind by American soldiers. His early influences were Duke Ellington, Miles Davis and Thelonious Monk. After graduating, he joined Lionel Hampton's Japanese touring band. He started a quintet with Terumasa Hino but soon after left for the US after winning a scholarship to study at Berklee College of Music.
He died from a subdural hematoma on 6 July 2015 at a hospital in Manhasset, New York. At the time of his death, he lived in Manhattan, New York City.
| 1969 | Matrix | Victor | 1969 | With Tetsuro Fushimi (trumpet), Hideyuki Kikuchi (alto sax), Akio Nishimura (tenor sax), Hironori Takiya (bass), Takahiro Suzuki (drums) as Victor Modern Jazz Sextet |
| 1970 | Re-confirmation | Philips Records | 1970 | Sextet with Kosuke Mine (alto saxophone), Yoshio Ikeda (bass, electric bass), Hiroshi Murakami (drums), Keiji Kishida (drums) |
| 1970 | Poo-Sun | Philips | 1970 | With Kosuke Mine (soprano sax, alto sax), Hideo Ichikawa (electric piano, organ), Yoshio Ikeda (bass), Motohiko Hino (drums), Hiroshi Murakami (drums), Keiji Kishida (percussion) |
| 1970 | Masabumi Kikuchi In Concert | Philips | 1971 | Sextet with Kosuke Mine (soprano saxophone, percussion), Yoshio Ikeda (bass), Hiroshi Murakami (drums), Keiji Kishida (drums) |
| 1972 | Masabumi Kikuchi with Gil Evans | Philips | 1972 | With Gil Evans (conductor, piano), Billy Harper (tenner sax, flute, chime), Hannibal Lokumbe (trumpet, flugel horn), Kohsuke Mine (alto sax, soprano sax), Shigeo Suzuki (alto sax, flute), Kiyoshige Matsubara (French horn), Nao Yamamoto (French horn), Shozo Nakagawa (piccolo flute, alto flute, bass flute), Takashi Asahi (piccolo flute, alto flute, bass flute), Yukio Etoh (piccolo flute, alto flute, bass flute), Kunitoshi Shinohara (trumpet, flugel horn), Takehisa Suzuki (trumpet, flugel horn), Hiroshi Munekiyo (tuba), Kikuzo Tado (tuba), Tadataka Nakazawa (bass tuba), Michiko Takahashi (marimba, vibraphone), Masayuki Takayanagi (electric guitar), Sadanori Nakamure (electric guitar), Yoshio Suzuki (bass), Isao Etoh (electric bass), Masahiko Togashi (drums), Yoshiyuki Nakamura (drums), Kohichi Yamaguchi (timpani), Hideo Miyata (percussion) |
| 1974 | East Wind | East Wind | 1974 | With Terumasa Hino (trumpet), Kosuke Mine (tenor sax), Juini Booth (bass), Eric Gravatt (drums) |
| 1978 | But Not for Me | Flying Disk | 1978 | With Gary Peacock (bass, percussion), Al Foster (drums, percussion), Badal Roy (tabla), Alyrio Lima (percussion), Azzedin Weston (percussion) |
| 1980–81 | Susto | Sony Music | 1981 | With Terumasa Hino (cornet), Steve Grossman (soprano sax, tenor sax), Dave Liebman (soprano sax, tenor sax, flute), Richie Morales and Victor "Yahya" Jones (drums), Hassan Jenkins(bass), James Mason, Butch Campbell, Marlon Graves, Barry Finnerty and Billy Paterson (guitar), Alyrio Lima, Aiyb Dieng and Airto Moreira (percussion), Sam Morrison (soprano sax), Ed Walsh (synth programming) |
| 1980–81 | One-Way Traveller | CBS/Sony | 1982 | With Terumasa Hino (cornet), Steve Grossman (soprano sax, tenor sax), Richie Morales and Victor "Yahya" Jones (drums), Hassan Jenkins(bass), James Mason, Butch Campbell, Marlon Graves, Gass Farkon, Billy Paterson and Ronald Drayton (guitar), Alyrio Lima, Aiyb Dieng and Airto Moreira (percussion), Sam Morrison (soprano sax) |
| 1983–86? | Chi | Geronimo | 1988 | "Rokudai" series. Solo synthesizer. |
| 1984–86 | Sui | Geronimo | 1988 | "Rokudai" series. Solo synthesizer. |
| 1984–86 | Ka | Geronimo | 1988 | "Rokudai" series. Solo synthesizer. |
| 1984–86 | Fuu | Geronimo | 1988 | "Rokudai" series. Solo synthesizer. |
| 1984–86 | Kuu | Geronimo | 1988 | "Rokudai" series. Solo synthesizer. |
| 1985–87 | Shiki | Geronimo | 1988 | "Rokudai" series. Solo synthesizer. |
| 1986–89 | Aurora | Rhizome Sketch | 1989 | Solo synthesizer. Four variations of the track "Aurora" in previous album Sui. |
| 1989 | Miren | transheart | 1989 | Solo piano |
| 1989–90 | Dreamachine | transheart, Pioneer | 1992 | With Bernie Worrell (synthesizer), Bootsy Collins (space-bass), Bill Laswell (bass), Nicky Skopelitis (guitar), Aiyb Dieng (percussion) |
| 1990 | Live at Jazz inn Lovely 1990 | NoBusiness | 2020 | With Masayuki Takayanagi (guitar), Nobuyoshi Ino (bass) |
| 1992–93 | Feel You | Paddle Wheel | 1993 | Trio, with James Genus (bass), Victor Jones (drums) |
| 1994 | After Hours | Verve Records | 1994 | Solo piano |
| 1994 | After Hours 2 | PJL | 2002 | Solo piano |
| 1996 | Raw Material #1 | Alfa | 1997 | With Toshiyuki Goto, DJ Katsuya and DJ Hiro (mixing), Mike Barry (guitar), Scott Wozniak (keyboard), Aiyb Dieng (percussion), Papa Jube, Veronica White, Bongo Gaston and Jean Baaptiste (vocals), David Dyson (bass), William "Space Man" Paterson (guitar), Darryl Foster (tenor sax) |
| 1997–98 | Melancholy Gil | Verve | 2001 | Solo piano |
| 2009 | Sunrise | ECM Records | 2012 | Trio, with Thomas Morgan (bass), Paul Motian (drums) |
| 2012 | Black Orpheus | ECM Records | 2016 | Solo piano; in concert |
| 2013 | Hanamichi: The Final Studio Recording | Red Hook Records | 2021 | Solo piano; studio recording |
AAOBB (All Night All right Off White Boogie Band)
(with Conrad Adderley, Victor Jones, Aïyb Dieng, Kosuke Mine, Kelvyn Bell, Tomas Doncker, William "spaceman" Patterson)
Tethered Moon
(Trio with Paul Motian and Gary Peacock)
Slash Trio
(Trio with Masaaki Kikuchi and Tatsuya Yoshida)
With Terumasa Hino
With Paul Motian
With others
The case was finally decided by the N.Y. Appellate Division in 1988. The Court's ruling in favor of Kikuchi established the notion of partial constructive eviction; that is, a partial exclusion from the quiet use and enjoyment of the property. The rule established in this case entitled a partially constructively evicted tenant to a pro rata rent reduction in proportion to the portion of the property they were unable to use. Importantly, the court held that leaving the premises was not required under this new concept. This rule has not been widely adopted in the United States and is a minority rule. The case, 528 N.Y.S.2d 554 (App. Div. 1988), is featured in contemporary property law case books to illustrate the concept of partial constructive eviction.
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